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Pan's Labyrinth Analysis

The opening scene of Pan's Labyrinth starts with a shot of darkness this is then followed by the camera panning up to show Ofelia who is lay on the ground covered in blood, it shows her death which is filmed in reverse. This creates a sense of enigma for the audience and by showing the ending of the film in the opening scene, gives it a circular narrative. We then start to hear a narrative that gives us some information on what the storyline is about, at the same time, the camera zooms in on Ofelia's eye to cut to the next shot. The use of eyes  is  a recurring motif throughout this film to represent the type of world they live in – one where they see things but cannot say anything because of the fascist society . The next shot shows a dark fantasy world that the narrator is describing, the duration of this shot is very long because the camera pans to show the setting. The fantasy world that is shown is very different to what the audience would expect because it is a dark an...
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Evaluation

My film, Vendetta, although not being a huge success, did have its good points. I feel as though Vendetta contained some interesting themes and some well thought out shots, such as the pan of the graves and the pan along the medicine bottle. Key themes such as mental illness and death were included, although they could have been worked on. I felt my group lacked frequent communication, and our film suffered because of this. A lot of the shots were not81 as we planned in the story board because of a lack of resources, time and maybe even drive. If I had the chance to re do my film, I would make sure my group organised meet ups for filming, make sure every shot was to a certain standard and spend more time getting used to editing software and actually editing the film.
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The Place Beyond The Pines Analysis

The first part of this scene in ‘The Place Beyond The Pines’ starts with an establishing shot of a fair ground, whilst we see this shot we can hear the narrative of the two characters talking, the scene then switches to a close up of a man talking so we can establish who is talking. This shot is eye level and has very neutral lighting, we get a shot reverse shot of Ryan Gosling and the other man talking, all at eye level to make the audience feel as if they are part of the conversation. The camera also looks handheld to add to this. The scene then switches to an extreme long shot of Luke (Ryan Gosling) riding a motorcycle, the camera follows him with a tracking shot and uses high key lighting because he is outside. The next shot is an over shoulder, mid shot of him knocking at the door. The use of mise en scene in this shot creates a contrast as we can see he is wearing all white but this scene switches to quite low-key lighting because he is standing at a black door. The contrast of c...
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